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Unforgiven
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Unforgiven

Description
Yurusarezarumono (Unforgiven 2013) is inspired by the Oscar won film in 1992. The background of this film is taken place on the dawn of the Meijin Era in 1880. Jubei Kamata, a former samurai under the Edo Shogunate, has to hide his present from the government forces. Over 10 years, he seems not to take the sword. However, he has to break the oath to his wife when the government starts to pester the civil. Once again, he faces with the hypocrites under the cloak of justice.
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Unforgiven
CRITICS OF "Unforgiven"
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Financial Times
Resource

February 27, 2014

Lee has made a film so good that it almost equals its namesake, that sour, magnificent western which won the Best Picture and Best Director Oscars in 1993.
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Independent (UK)
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February 28, 2014

The film is remarkably faithful to Eastwood's version. It carries on a long tradition of exchange between Westerns and Japanese samurai films that stretches back to Kurosawa and Sergio Leone.
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Radio Times
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February 28, 2014

It's a curiosity, perhaps, but it's nicely made, beautifully acted and well worth seeking out.
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Time Out
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February 25, 2014

This remake of Clint Eastwood's Oscar-winning epic may lack the austere, classical weight of the original, but it makes up for it in visual splendour. Unexpectedly brilliant.
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London Evening Standard
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February 28, 2014

Clint Eastwood's 1992 western is adored by just about every critic in the world. Except me. Weirdly, I found Sang-il Lee's reverent remake gripping.
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Little White Lies

February 27, 2014

This "eastern" remake of Clint Eastwood's seminal '90s western boasts a similar sense of rough-shod lyricism.
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Empire Magazine
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February 24, 2014

The samurai/Western osmosis is given a terrific new surge by this beautiful-looking, smartly modified translation of the Eastwood classic.
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Sky Movies
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February 27, 2014

There's no shortage of bloodshed, but rare is the film that uses bullets and flashing blades to provoke sadness rather than excitement.
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Daily Telegraph (UK)
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February 27, 2014

Even at his most dogged and dutiful, Korean director Lee Sang-il crafts a retelling that never dips below a certain baseline of handsome competence, making a great case for the Hokkaido landscapes as a rugged frame for the action.
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Total Film
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February 24, 2014

Not as redundant as it sounds ...
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Observer (UK)
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March 02, 2014

Lee's version offers enough grand spectacle and historical intrigue to carve its own space in the international multiplexes.
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Guardian
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February 27, 2014

It's an enduring yarn, well told: a rare remake that functions independently, even as it reminds you - vividly, in places - of the original's elegiac pleasures.
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