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Description
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight - and the audience's point of view. Will, tormented, believes he is hearing his son's voice calling out to him. To escape their grief, Gemma suggests they take up Paul's offer to stay at his Lake District country getaway.
Gemma and Will are shattered when their son dies in an accident. Gemma blames herself and starts to have panic attacks that affect her eyesight - and the audience's point of view. Will, tormented, believes he is hearing his son's voice calling out to him. To escape their grief, Gemma suggests they take up Paul's offer to stay at his Lake District country getaway.
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December 15, 2017
Sinyor's film is turgid, flabby and - despite some committed performances and great ideas - toothless, with neither tension nor bite.
December 17, 2017
Gary Sinyor's film has a basic but effective way of jangling its viewers' nerves at selected moments. One thing the visual trickery can't blot out, though, is the plot's unhelpful daftness.
December 17, 2017
The film lurches into conventional horror-thriller territory as it progresses, though there are interesting moments ...
January 29, 2018
Writer/director Gary Sinyor spent over a decade developing this unsettling thriller, which overcomes the odd plot blip to provide some poignant insights into the psychological consequences of grief.
December 17, 2017
A drama of upper-middle-class menace that can't quite bring itself to be a full-on slasher movie, this has a few too many clichés but offers some creepiness and decent performances.
December 14, 2017
A committed central performance from Jasmine Hyde can't quite save this half-baked thriller that matches jarring tonal leaps and narrative ineptitude with unfortunate echoes of superior films.
December 14, 2017
Due to issues with pacing and control of the narrative, it doesn't quite come together, and the necessary chill isn't properly refrigerated.
December 15, 2017
A portrait of grief and guilt that's only mildly engaging, until it morphs into a wannabe psychological thriller and turns limp, laughable, and just plain icky.
December 15, 2017
A sincere effort but it all feels entirely predictable and underwhelming.
December 11, 2017
The final act stumbles once or twice, but it's engaging, tense, the conclusion is earned and affecting, and [Jasmine] Hyde's superb performance carries it through any wobbles.
December 20, 2017
Like a lot of paranoid suspense films, The Unseen works best when its menace is indeed unseen.
December 15, 2017
What The Unseen lacks is Roeg's economy... The performances are all good though, and the sterile modernity of both the Shields' and Paul's respective domiciles suits these peculiarly alienated people who, unseen, haunt each other's homes.
