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The Lucky One
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DIRECTORS OF "The Lucky One"
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CRITICS OF "The Lucky One"
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The Patriot Ledger
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June 02, 2013

How bad is this Zac attack? Well, let's just say I'm convinced director Scott Hicks opted to render his buff-and-scruffy star the strong, silent type just to keep Efron from opening his mouth.
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Richard Roeper.com
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April 20, 2012

Well-acted schmaltz with some gaping plot holes.
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Newark Star-Ledger
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April 20, 2012

There's not much to the movie besides handsome sets, sun-dappled photography and a plot as predictable as the verse in a Hallmark card.
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Time Out
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May 01, 2012

Even taken as simple schmaltz, 'The Lucky One' lacks the romantic impact of the adaptation of Sparks's 'The Notebook' or even the Channing Tatum-starrer 'Dear John'.
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New York Daily News
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April 20, 2012

[Hicks] hits the beats - lonely woman, hunky stranger - without bothering to develop even the slightest depth.
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We Got This Covered
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September 15, 2012

A pretty to look at but emotionally void film that does no favours for its otherwise lovely lead actors.
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Movie Metropolis
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August 24, 2012

The movie follows the Sparks formula so precisely, you could write out every detail of the plot just from watching the trailer.
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What Culture
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October 04, 2012

Even within the company of recent Sparks releases like this year's 'The Vow', 'The Lucky One' comes across as a two-dimensional cartoon masquerading as heartfelt human interaction.
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FILMINK (Australia)
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October 24, 2012

Falling victim to his source material, Hicks fails to invest it with any sort of edge, rendering the cinematic version as mawkish and saccharine as Sparks' bloated prose.
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3AW
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June 30, 2012

If you're after a high-quality weepie, this superbly crafted romantic melodrama from director Scott Hicks (Shine; The Boys Are Back) and novelist Nicholas Sparks (The Notebook; Dear John) will drain your tear ducts.
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Chicago Reader
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April 20, 2012

As long as Efron's shirt comes off, he could play an accountant and no one in the target audience would care.
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Newsday
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April 20, 2012

The overheated eroticism could have at least made for a camp classic, but the film's chilling narcissism ultimately makes for a pleasureless fantasy.
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