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The Little Stranger
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The Little Stranger

Description
During the summer of 1948, a doctor named Faraday, a rural doctor and son of a maid, was summoned to see a patient in the hall of hundreds. The hall of hundreds is that hall where his mother used to work. This room has been a great home for the Iris family for a long time but now it is not eligible to live and its inhabitants are the mother, son and son in a very bad state because it looks like an annoying room. After time, Faraday will discover that there is something strange about the family that may be associated with him.
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The Little Stranger
CRITICS OF "The Little Stranger"
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Bowling Green Daily News
Resource

October 25, 2018

If you are patient, this is a film that delivers chills in ways you won't quite expect.
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San Diego Reader
Resource

August 31, 2018

Everything here is precise: Abrahamson's direction, the understated performances, the intrusive sounds that stop just shy of jarring. The result is more sad and spooky than suspenseful or scary, an effect that seems entirely, and pleasingly, intentional.
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Chicago Sun-Times
Resource

August 31, 2018

At times, each of the main characters has us wondering what's going on beneath the surface. Who, if anyone, is to be trusted?
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New York Post
Resource

September 06, 2018

Occasionally spooky, but more often snoozy.
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RogerEbert.com
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August 31, 2018

[An] elegant, cold-to-the-touch blend of drama and gothic horror.
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Discussing Film
Resource

October 07, 2018

the story is a drama with a ghost-like quality that is paced slowly yet it never bores
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Playboy Online

October 05, 2018

The Little Stranger is a rare thing...a classy, gloomy, sorrowful little heartbreaker.
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InSession Film
Resource

October 10, 2018

One will wonder whether Lenny Abrahamson has his heart in all this way, way more than whether if the establishment has an (alleged) unwelcoming-presence problem.
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Pittsburgh Magazine
Resource

October 15, 2018

The Little Stranger is an intriguing film, but not a great one. At times, though, its atmosphere will creep under the skin -- of attentive viewers, at least.
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New Statesman
Resource

September 25, 2018

[Domhnall Gleeson] keeps Faraday's wounds painfully close to the surface... Faraday's bitterness works like a depressant, consuming him but also the movie, and robbing it of some of the electrical charge vital for fully effective horror.
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Rolling Stone
Resource

August 31, 2018

A hypnotic and haunting tale of how the past can grab hold of the flesh-and-blood present and squeeze. Don't let this mesmerizing mystery slip between the cracks of studio neglect and marketing indifference. It's spellbinding.
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TheWrap
Resource

August 31, 2018

Abrahamson seems fascinated with the idea of gothic storytelling, but he hasn't quite got the knack of it.
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