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Strange Days
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Strange Days

Description
This epic thriller is set in a hellish Los Angeles during the last days of the 20th century. The tale centers on Lenny Nero, a sleazy grifter who sells voyeuristic scenes. After his lover Faith leaves him, he tries to win her back after learning that she is in danger.
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Strange Days
CRITICS OF "Strange Days"
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The ARTery
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March 17, 2018

The movie went off like a landmine in Lincoln Center, traumatizing upscale audiences with its pulp semiotics and Bigelow's blunt-force filmmaking.
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Rolling Stone

May 12, 2001

Undeniably thrilling and troubling.
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Los Angeles Times
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February 13, 2001

Though the creators of Strange Days may well be interested in its dramatic and thematic elements, they do not have the same touch for these moments as they do for camera pyrotechnics.
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Newsweek
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January 18, 2013

Director Kathryn Bigelow comes closer than any other filmmaker to turning movies into a virtual reality trip.
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San Francisco Chronicle
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January 01, 2000

Bigelow is so enamored of high-tech thrills, and so mesmerized by the violence she seeks to condemn, that her efforts at 11th-hour moralizing seem limp and halfhearted.
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Combustible Celluloid
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April 16, 2007

[Bigelow] with the help of her talented cast, constantly wrestles against the script, and for a great deal of time, she appears to be winning.
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EmanuelLevy.Com

December 02, 2006

Set in LA at the end of the century, this morality tales showed again the main problem in the director's work: The great divide between simlistic plots and technical sophistication. Even so, it's one of a kind for its use of color, sound and motion
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ColeSmithey.com
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May 07, 2012

[VIDEO ESSAY] "Strange Days" owes a debt to Michael Powell's "Peeping Tom," the film that ruined his storied career.
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Ozus' World Movie Reviews
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January 26, 2018

Messy, dreary and repulsive slick near future sci-fi/film noir thriller that both dazzles and is bombastic.
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ViewLondon

July 01, 2005

Engaging, genuinely thrilling sci-fi. Enough to make you wish Bigelow made a movie a year.
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Globe and Mail
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April 12, 2002

Once the premise has lost its promise, and Fiennes's brave attempts at characterization are sacrificed to pseudo-dazzle, everything appears awfully humdrum and, yes, distinctly dated.
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Chicago Sun-Times
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January 01, 2000

It's fascinating the way Bigelow is able to suggest so much of VR's impact (and dangers) within a movie - a form of VR that's a century old.
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