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Panic Room
CRITICS OF "Panic Room"
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Antagony & Ecstasy
Resource

November 30, 2014

How did Fincher - a director who is very good at supplying thrills to thrillers, whatever his other strengths or limitations might be - end up shepherding such a leaden film?
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Chicago Tribune

July 20, 2002

Fincher mounts some clever, tense sequences in which the trio devises increasingly threatening strategies to force Meg and Sarah out of the panic room, only to be matched with improvised ingenuity from behind the vault door.
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L.A. Weekly
Resource

June 01, 2002

There's just no denying Fincher's gifts. Give the guy a camera or two or three, millions upon millions of dollars and state-of-the-art technologies, and there's no stopping him.
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Variety

March 27, 2009

A thinking-man's women-in-jeopardy picture, Panic Room does about as much as humanly possible with its deliberately restricted one-setting premise.
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Ebert & Roeper

April 01, 2002

... one of the most ingenious and entertaining thrillers I've seen in quite a long time.
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ColeSmithey.com
Resource

May 03, 2009

Apart from one plot twist too many, "Panic Room" is a seamless suspense-thriller with a top-notch cast.
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Cinema Crazed
Resource

April 29, 2009

There are so little things you can do with this story and a lot of it is pretty contrived.
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Suite101.com
Resource

September 17, 2010

Valuing logic over brutality, David Fincher's claustrophobic ride also touted the real-world practicality of keeping quiet over the cinematic kicks of a loud thriller. It's like "Wait Until Dark" with helplessness that's emotional, not just physical.
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Common Sense Media

December 27, 2010

Extreme suspense, graphic violence; not for kids.
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IGN Movies
Resource

July 02, 2008

David Fincher directs a nail-biter starring Jodie Foster about a mother and daughter who defend their house against a brutal home invasion.
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Time Out
Resource

June 24, 2006

Never averse to glistening darkness, meaty metaphor or grandiloquent technical display, Fincher is also surprisingly at home with hokum.
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Rolling Stone

March 31, 2002

Foster nails the role, giving a tight, focused performance illuminated by shards of feeling.
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