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Lovelace
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CREATORS OF "Lovelace"
Lovelace
CRITICS OF "Lovelace"
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Bitch Media
Resource

May 10, 2016

Lovelace isn't a catalyst; it's just another unchallenging fantasy.
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TheWrap
Resource

August 16, 2013

"Lovelace" becomes too distracted by industry politics and the cultural context of the film's release to provide more than a snapshot of her life either before or after she stepped in front of a camera.
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Minneapolis Star Tribune
Resource

August 14, 2013

Lovelace bids to whip up hot indignation about an outrage four decades old. Instead, it provokes dismay.
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New Yorker

September 02, 2013

Seyfried, with her huge features crowding her small face, looks like Alice in a very strange Wonderland. But whatever possibilities she may have as an actress are eradicated by the filmmakers ...
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ReelViews
Resource

August 12, 2013

Unfortunately, most of Lovelace is more generic and familiar, right down to the too-neat happy ending.
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Movie Talk
Resource

February 01, 2014

Amanda Seyfried acts out of her skin.
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7M Pictures
Resource

December 06, 2013

I understand that movies based on true stories take plenty of liberties, but if those liberties can be blown apart with a five-minute visit to Wikipedia, they went too far.
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Newcity
Resource

April 05, 2014

Amanda Seyfried is a game performer, and the Linda-like freckles sprayed across her cheeks, which all and sundry in the film comment on, are fetching.
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Windy City Times
Resource

June 27, 2014

Ironically, even a movie about Linda Lovelace's rather sad life uses her more for her body than her character.
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TheMovieReport.com
Resource

November 30, 2013

Other performances may be more gripping in the moment, but the core of relatable vulnerability and flawed humanity Seyfried brings lends the film a lasting resonance.
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Time Out
Resource

August 21, 2013

Linda's feelings are rarely revealed: that's left to the gloomy final act, which feels more like a guilt-inducing postscript than a genuine reveal.
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Chicago Reader
Resource

August 09, 2013

This drama from codirectors Rob Epstein and Jeffrey Friedman is so respectful of 70s porn sensation Linda Lovelace that instead of humanizing the Deep Throat star, it reduces her to one dimension: victim.
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