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Juggernaut
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Juggernaut

Description
After discovering the news that his Mother has taken her life, Saxon Gamble returns home, irrationally plagued by the notion that her death was not a suicide. Saxon, a man of violence, embarks on a revenge mission that shakes up the quiet town of his birth. His quest also awakens a dormant sibling rivalry that puts himself and his brother (Dean) on a collision course with bloody consequences. Caught in the middle is their Father (Leonard), now a Minister, the return of Saxon sends him on a crisis of conscience. While he begins to examine his checkered past and lack the courage of his newly found convictions, his sons remain locked in a battle for his approval and affection. Juggernaut is a story of revenge, obsession and sibling rivalry. An exploration into the dark places family dysfunction can lead to.
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DIRECTORS OF "Juggernaut"
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CREATORS OF "Juggernaut"
Juggernaut
CRITICS OF "Juggernaut"
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Original Cin
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March 07, 2018

Juggernaut does not have the propulsive narrative force its title implies. You expect some sort of vigilante rumble like Walking Tall, but you get more of a morally ambiguous slow burn.
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Los Angeles Times
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March 08, 2018

DiMarco's noir-inflected family drama is confident and mature, but less involving than it could be, because the filmmaker and his star make their anti-hero stubbornly unappealing.
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Hollywood Reporter
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March 07, 2018

Strong performances and atmosphere compensate for the cliched storyline.
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Variety
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March 09, 2018

Even if the ending falls something short of memorable, "Juggernaut" still holds attention as a strong, well-acted effort that effectively walks the line between dysfunctional family drama and revenge thriller.
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National Post
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March 09, 2018

Romantic misfires aside, Juggernaut operates as a slick little mystery fleshed out with some fine Canadian talent.
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Globe and Mail
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March 09, 2018

DiMarco just can't sustain enough tension or drama to power the film through a plodding 105 minutes.
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NOW Toronto
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March 08, 2018

Every line reads as if it were still on the page; every characterization is one-dimensional and unbending. At 90 minutes, the stilted dialogue might feel like a deliberate, stylized choice; at nearly two hours, it's infuriating.
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