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High Noon
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High Noon
CRITICS OF "High Noon"
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Film Inquiry
Resource

February 22, 2017

High Noon reflected the heightened fear of the Soviets in the '50s, now similar to the xenophobia that has been raised and further inflamed by our political leaders.
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Chicago Reader
Resource

September 04, 2007

Some of the results ring false, but the memorable theme song and some equally memorable character acting (by Thomas Mitchell and Lon Chaney Jr. more than Lloyd Bridges and Katy Jurado) help things along.
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Time Out
Resource

February 09, 2006

High Noon won a fistful of Oscars, but in these days of pasteboard screen machismo, it's worth seeing simply as the anatomy of what it took to make a man before the myth turned sour.
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TIME Magazine
Resource

July 26, 2011

High Noon combines its points about good citizenship with some excellent picturemaking.
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Village Voice

April 27, 2004

More than a half-century later, Foreman was right after all: High Noon is a scorching and sour portrait of American complacence and capacity for collaborationism.
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Film4
Resource

July 26, 2011

File under 'classic'.
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Empire Magazine
Resource

July 26, 2011

Deserving of its label as a true classic, and essential viewing.
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Combustible Celluloid
Resource

August 22, 2012

High Noon isn't really a masterpiece, and if you're a fan of more honest Westerns, it's hard not to notice Zinnemann's general lack of interest throughout. But it is a tense, effective little film.
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rec.arts.movies.reviews
Resource

January 03, 2016

Deserving of its classic western status... although for a movie predicated on its titular twelve o'clock showdown, the gunfight itself is oddly anticlimactic.
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Variety
Resource

October 18, 2008

Zinnemann carefully and deliberately makes the most of the mood cast by the threat of impending violence.
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Washington Post

May 30, 2003

Regarded as '50s melodrama, it's nearly perfect.
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