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Front Cover
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Front Cover

Description
Ryan is an openly gay fashion stylist. One day Ryan’s boss assigns him to style Ning, a famous Chinese actor for an important photo shoot. Their relationship grows gradually. But when their story is published in a newspaper, Ning implores Ryan to deny the story because Ning terrifies the story maybe effect on his career. Ryan has to decide help Ning or stay true to himself.
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DIRECTORS OF "Front Cover"
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CREATORS OF "Front Cover"
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CRITICS OF "Front Cover"
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Washington City Paper
Resource

January 02, 2017

These good intentions never translate into a good movie.
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Variety
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August 05, 2016

If there isn't much subtlety or surprise in Yeung's screenplay, his direction is graceful enough to make this a pleasant if unmemorable bittersweet love story.
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Hollywood Reporter
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August 05, 2016

Whatever nuance can be found in Front Cover, the story of an openly gay fashion stylist and a seemingly homophobic Chinese movie star, belongs chiefly to the performances of Jake Choi and James Chen.
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Washington Post
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September 29, 2016

The film's examination of the first-generation American experience feels fresh. The delivery, however, is hardly original.
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Village Voice
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August 05, 2016

[A] sexy, ambitious comic drama.
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Slant Magazine
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August 01, 2016

The very few instances where stereotypes are challenged are forced and didactically delivered.
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New York Times
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August 04, 2016

Though too slight to be memorable, the gay romance "Front Cover" takes a gentle, thoughtful look at the intersection of ethnicity and sexuality.
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The Playlist
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August 04, 2016

[A] predictable but occasionally endearing romantic comedy.
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South China Morning Post
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October 25, 2016

For all its awkwardness in bridging the personal and the cultural, Front Cover does deliver as a nice little romantic comedy with a pair of endearing leads.
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Los Angeles Times
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August 11, 2016

It's a root-worthy picture with its share of warm, amusing moments, an attractive pair of leads and a vivid use of Big Apple locales.
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RogerEbert.com
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August 05, 2016

While the film adheres to the conventions of romantic melodramas, its fascinations from a cultural perspective remain strong throughout.
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