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Cemetery of Splendor
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Cemetery of Splendor

Description
A group of soldiers in a small town on the Mekong River in northern Thailand are struck with a bizarre sleeping illness where spirits appear to the stricken and hallucination becomes indistinguishable from reality.
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Cemetery of Splendor
CRITICS OF "Cemetery of Splendor"
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El Universal
Resource

February 21, 2017

A film that shows the uneasy allegory of a country spoiled by the omnivorous military pressure on the defenseless civilian population. [Full review in Spanish]
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Minneapolis Star Tribune
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March 17, 2016

The point seems to be a sort of symbolic political wake-up call for a nation where modern life takes a very long time to arrive.
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Seattle Times
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March 17, 2016

The actors seem to be miles from the cameras.
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San Diego Reader
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April 07, 2016

Given the cultural boundaries, there is much in the film that we may never fully grasp, but the less we're told, the more were sucked in by the film's hypnotic, ever-expanding aura of mystery.
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Globe and Mail
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March 11, 2016

An enchanting interpretation of where our sleeping and waking minds wander.
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Cine Vértigo
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August 23, 2016

It's hard to keep your eyes open while watching a still frame of a group of sleeping men, but manages to accomplish truly magical moments. [Full review in Spanish]
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Correcámara
Resource

August 22, 2016

Not the best of Weerasethakul but definitely stands out and it's worth watching. [Full review in Spanish]
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Times (UK)
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October 10, 2016

From the Thai arthouse director Apichatpong Weerasethakul, whose Uncle Boonmee won the Palme d'Or at Cannes a few years ago, comes another strange swooning dream, Cemetery of Splendour.
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Financial Times
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December 27, 2016

What other filmmaker could create a tissue of metaphor, almost musical, from the hum of rotary objects?
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Cine Premiere
Resource

August 19, 2016

This film is so visually amazing that stimulates the audience's senses and imagination. [Full review in Spanish]
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San Francisco Chronicle
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March 23, 2016

If you haven't seen a Weerasethakul film yet, here's a good opportunity, but leave your expectations at the door. There's no one like him.
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Los Angeles Times
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March 10, 2016

It's a sinuous tale shaped by the writer-director's favorite motifs - animism and medicine - and by sideways glances at the myths, religious traditions and political convulsions of his native Thailand.
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