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Cabaret
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Cabaret

Description
Cabaret film is considered a pinnacle of the genre film adaptation. Director Bob Fosse constructed Cabaret script based on the novel Goodbye to Berlin of Christopher Isherwood. Cabaret earned for Fosse 8 Oscars including Best Director, but lost out on the best movies for 'Godfather'.
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Cabaret
CRITICS OF "Cabaret"
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Film Freak Central
Resource

June 07, 2013

It's an all-time masterpiece, mercurial and timeless. I am changed every time I see it.
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Chicago Reader
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June 27, 2007

Whatever this 1972 feature is, it's entertaining and stylish, though maybe not quite as serious as it wants to be.
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Time Out
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June 24, 2006

Superbly choreographed by Fosse, the cabaret numbers evoke the Berlin of 1931 - city of gaiety and perversion, of champagne and Nazi propaganda - so vividly that only an idiot could fail to perceive that something is rotten in the state of Weimar.
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TIME Magazine
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August 12, 2008

Bob Fosse's direction is as chaotic as it was in his previous Sweet Charity, a desperate scramble after a style.
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Chicago Sun-Times
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October 23, 2004

...the context of Germany on the eve of the Nazi ascent to power makes the entire musical into an unforgettable cry of despair.
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JWR
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July 22, 2009

Let's just say it: the best thing going in director Bob Fosse's tour de force is Joel Grey. As the Master of Ceremonies at the infamous Berlin Kit-Kat club, Grey steals every scene he's in and makes us hope for more.
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Shadows on the Wall

April 20, 2008

simply masterful in every way
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Common Sense Media
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January 04, 2010

Influential '70s musical features sex and mature themes.
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Aisle Seat
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February 08, 2013

Cabaret is in some respects a typical feel-good musical, yet it's also so much deeper than that.
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ColeSmithey.com

October 25, 2007

A great classic film.
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Variety
Resource

June 27, 2007

The screenplay, which never seems to talk down to an audience while at the same time making its candid points with tasteful emphasis, returns the story to a variety of settings.
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New York Times

May 21, 2003

Everybody in Cabaret is very fine, and meticulously chosen for type, down to the last weary transvestite and to the least of the bland, blond open-faced Nazis in the background.
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