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Annihilation
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Annihilation
CRITICS OF "Annihilation"
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Hindustan Times
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March 12, 2018

It's one of the most stunning displays of directorial vision in recent memory, sure to be a classic of the genre in the years to come.
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The New Republic
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February 27, 2018

Annihilation's commitment to older psychoanalytic (and deconstructionist) models for the self and its inexpressible shadows makes this a readily accessible drama of emotion.
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BuzzFeed News
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February 26, 2018

Annihilation is some heady nightmare fuel, but its most striking quality may be how little it has in common with the current trends in mainstream science fiction.
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Chicago Reader
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March 02, 2018

Garland's version is a worthy mutation.
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New Yorker
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February 26, 2018

In this numbingly ludicrous science-fiction drama, written and directed by Alex Garland, a talented cast of actors play undeveloped characters delivering leaden dialogue in a haphazard story that's filmed with a bland slickness.
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Stuff.co.nz
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March 12, 2018

Paramount executives were concerned Garland's movie was "too intellectual" and "too complicated" to appeal to wider audiences. What rubbish - Annihilation is the thrilling, smart science-fiction movie you need in your life...
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Daily Telegraph (UK)
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March 12, 2018

Portman's high-tension acting, her inability to relax, suits the material down to the ground. It's one of her best performances ...
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Cinemixtape
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March 12, 2018

The movie's tug-of-war between thrills and fuzzy philosophical waxing results in something much too close to a zero-sum game.
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Junkee
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March 12, 2018

A spectacular work of science fiction that not only gets under your skin but it becomes part of it.
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Alternate Ending
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March 11, 2018

Quietly, pervasively uncomfortable.
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New York Post
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February 28, 2018

Making movies steeped in vagueness these days is proving to be an excellent way to earn critical praise, but being artfully ambiguous strikes me as a way to cover for not being able to finish the job.
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ReelViews
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February 23, 2018

This movie, unlike something produced for mass audiences, is about what happens in the calm moments between the loud, splashy sequences.
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