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Annie Hall
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Annie Hall
CRITICS OF "Annie Hall"
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Seanax.com
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January 13, 2017

Allen tosses out the usual romantic comedy conventions for his own brand of humor, but under the gags and self-effacing jokes is the portrait of two people who fall in love and then... fall out of love.
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Richard Roeper.com
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March 03, 2015

This is Woody Allen's signature film, arguably his best and certainly his most popular.
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New York Daily News
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March 03, 2015

Allen (as a result of his exposure to Bergman, perhaps) has greatly matured as a filmmaking talent. Annie Hall is, by far, his most sophisticated, most emotionally complex film.
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Washington Post
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May 05, 2017

A soft, fuzzy, mildly diverting letdown.
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Time Out
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March 03, 2015

While its consonance comes largely from Gordon Willis's photography and Allen's spacious sense of New York, pathos comes at best from Keaton's evaporative performance and a slightly sentimental conception.
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Radio Times
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February 10, 2014

Although Woody Allen had still to acquire great technical strength as a film-maker, this was the movie where he found his own singular voice, a voice that echoes across events with a mixture of exuberance and introspection.
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Movie Mezzanine
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February 04, 2014

It's a testament to the timelessness of Annie Hall that most of its references to pop culture or current events are unsuccessful in dating the film.
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The Spectator
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March 11, 2015

I think It's his best picture so far, and I hope that audiences will enjoy his drily aggressive, despairingly narcissistic humour as much as I did.
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Reel Film Reviews
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May 13, 2015

Allen's imaginative, often avant-garde approach to the material goes a long way towards compensating for a decidedly uneven atmosphere...
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The Nation
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February 12, 2013

Annie Hall, for all its vagaries, is a funny, often touching, sometimes astute picture.
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Hollywood Reporter
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April 20, 2017

Woody Allen fans will buy it 100%. Never before has the diminutive comedian been so urbane, so open - so funny. And with lovely Diane Keaton as consort, it becomes well-nigh irresistible (especially if you find Keaton as well-nigh irresistible as I do).
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New Yorker
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February 10, 2014

Allen joins the Catskills tummler's anything-for-a-laugh antics with a Eurocentric art-house self-awareness and a psychoanalytic obsession in baring his sexual desires and frustrations, romantic disasters, and neurotic inhibitions.
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